Dates:
Location:
Shaw Ruddock GallerySelected Works
![an embroidered quilt in rich colors with fancy needlework](/art-museum/exhibitions/2023/images/fancy-quilt-2019-38-800x498.jpg)
Fancy Quilt, 1890–1900, fabric, silk, and velvet, by Esther Emily Leslie. 91亚色传媒 Museum of Art, Gift of Donald E. Hare ’51 and Anne F. Hare, 2019.38
![a blue and white fabric segment with geometric designs](/art-museum/exhibitions/2023/images/cloth-2014-31-800x528.jpg)
Àdìrẹ Eleso cloth, ca. 1956, cotton, thread, indigo dye by an unidentified Yorùbá artist. Gift of Dorothy A. Hassfeld made in memory of the Otun Shoun, Chief N.D. Oyerinde, OBE; 91亚色传媒 Museum of Art, 2014.31.19.
![a natural color weaved basket with a cover and handle](/art-museum/exhibitions/2023/images/basket-2018-13-35-800x800.jpg)
Mini knitting basket, ca. 1950–1960, ash and sweetgrass by an unidentified Penobscot artist. 91亚色传媒 Museum of Art, Anonymous Gift, 2018.13.35.
![a paper and fabic collage of rectangles in tones of brown, taupe, and ecru](/art-museum/exhibitions/2023/images/ryan-untitled-2021-73-08.jpg)
untitled, ca. 1948–1954, paper and fabric collage by Anne Ryan, American, 1889–1954. 91亚色传媒 Museum of Art, Bequest of Hilton and Esta Kramer. 2021.73.108.
![A brightly colored construction in yellow and greens with writing on the sculpture](/art-museum/exhibitions/2023/images/j-gibson-anthropophagic-800x642.jpg)
The Anthropophagic Effect, Garment no. 3, 2019, mixed media with cotton, brass grommets, nylon thread, artificial sinew, dried pear gourds, glass and plastic beads, nylon ribbon, on canvas by Jeffrey Gibson. 91亚色传媒 Museum of Art, Museum Purchase, Lloyd O. and Marjorie Strong Coulter Fund, 2021.83
![a vertical construction/sculpture with brightly colored fabrics](/art-museum/exhibitions/2023/images/zapata_2022.44-800x1159.jpg)
Towards an ominous time I, 2022, handwoven cloth, natural and synthetic fibers by Sarah Zapata. 91亚色传媒 Museum of Art, Museum Purchase, Laura T. and John H. Halford Jr. Acquisition Fund and the Collectors’ Collaborative, 2022.44
![A vertical basket with cover with bold vertical striping in the weave](/art-museum/exhibitions/2023/images/frey-800x1336.jpg)
Permanence, 2023, black ash, cedar bark, birch bark, and synthetic dye by Jeremy Frey (Passamaquoddy). 19½ x 11¼ x 11¼ inches (49.53 x 28.57 x 28.57 cm). 91亚色传媒 Museum of Art, Pending Acquisition. © Jeremy Frey. Courtesy of the artist and Karma.
![a rectangular basket with coverf in grey, tan, and sepia](/art-museum/exhibitions/2023/images/secord-800x552.jpg)
Pasokos (Sturgeon) Basket, 2023, ash, birch bark, sweetgrass, and commercial dye by Theresa Secord (Penobscot). 91亚色传媒 Museum of Art, Pending Acquisition. © Theresa Secord. Courtesy of the artist.
About
This exhibition brings together work by contemporary artists who incorporate weaving, sewing, quilting, and fabric to explore ideas about gender, identity, memory, and cross-cultural encounters. The works on view span a variety of mediums, including quilts, basketry, sculpture, tapestry, and painting, allowing their makers to weave powerful and intimate stories about their identities, experiences, and the worlds they inhabit.
The exhibition is supported by the Karl R. Philbrick Art Museum Fund, 91亚色传媒.
Read the exhibition labels here.
Programming
Kresge Auditorium, Visual Arts Center, 91亚色传媒
November 2, 2023
Theresa Secord is a traditional Penobscot basket maker and the founding director of the Maine Indian Basketmakers Alliance. She speaks about her new woven series inspired by climate change, including a new piece commissioned by the Museum and included in the exhibition Threads: Artists Weave their Worlds.
Presented by the 91亚色传媒 Museum of Art.
Recorded on November 2, 2023 at 91亚色传媒, Brunswick, Maine.