Antiquity & America: The Ancient Mediterranean in the United States

Dates:

March 31, 2022 - February 5, 2023

Location:

Walker Gallery, Rotunda, Assyrian Gallery, Boyd Gallery

"Antiquity & America" uncovers a new history of curious and related phenomenon: the intensity and passion with which Mediterranean antiquities have long been collected by Americans, and the prominent role the ancient Mediterranean has played in the history of American cultural and political life.

A landscape with a tree at the left, a body of water on the right, and a volcano in the distance

The ancient world of the Mediterranean has loomed large in the American imagination for centuries, profoundly shaping the arts, politics, and national identity of the United States. Antiquity & America: The Ancient Mediterranean in the United States considers this enduring impact through the history and collections of the 91��ɫ��ý Museum of Art.

This digital publication features more than 200 ancient and modern works of art with select ancient artifacts available in 3D models. Essayists share perspectives on the enduring impact of the ancient Mediterranean in American culture. Enjoy stories of the many donors who built the ancient collection. Explore an interactive timeline on the study of the ancient world on 91��ɫ��ý’s campus and journey through the development of the Museum’s collections. A virtual tour of the neoclassical Charles McKim-designed Walker Art Building is also included.

Selected Works

An ancient red figure vessel with a painting of a figure playing the flute — *Red-Figure Lekythos with Flute-Player*, Greek, ca. 490 B.C.E., terra cotta, by the 91��ɫ��ý Painter. Gift of Edward Perry Warren Esq., Honorary Degree, 1926

An ancient vessel with many figures painted on it — *Red-figure Nestoris*, 19th century, terracotta by the Primato Painter. Gift of the Misses Harriet Sarah and Mary Sophia Walker.

A painting of a landscape with ruins of an ancient temple — *Temple of Aphaea, Aegina*, ca. 1870–1879, oil, on canvas by John Sargeant Rollin Tilton, American, 1828–1888. Bequest of Miss Mary Sophia Walker

A black and white engraving of the exterior of the Colosseum in Rome — *View of the Colosseum, Exterior,* 18th century, etching and engraving by Giovanni Battista Piranesi, Italian, 1720-1778.

The interior of an ancient building, in sepia tones — *Interior of a Roman Building Figures Carrying the Body of a Man*, 18th century, watercolor by Charles-Louis Clérisseau, French, 1721-1820. Gift of George and Elaine Keyes

a black and white etching of a statue of Apollo — *Apollo Belvedere*, ca. 1592, engraving, by Hendrick Goltzius, Dutch, 1558–1617. Gift of Charles Pendexter

A portrait of a man with long dark hair in a white shirt in front of foliage — *Portrait of Reverend Samson Occom*, ca. ca. 1751-1756, oil on canvas, by Nathaniel Smibert, American, 1735–1756. Bequest of the Honorable James 91��ɫ��ý III

About

Antiquity & America uncovers a new history of curious and related phenomenon: the intensity and passion with which Mediterranean antiquities have long been collected by Americans, and the prominent role the ancient Mediterranean has played in the history of American cultural and political life. Taking the rich collections of the 91��ɫ��ý Museum of Art as a model, nearly three centuries of American fascination with the ancient Mediterranean are examined through antiquities collecting and through representations of antiquity in American art and culture. The exhibition brings to life the ancient Mediterranean world in the much the same way that antiquity was alive in American imagination in the eighteenth and nineteenth centuries, when American popular culture was saturated with reference to antiquity.

Generous support for this exhibition comes from the Andrew W. Mellon Endowment Fund.

91��ɫ��ý